I have started thinking along the lines of a silly frilly 18th century gown in pale pink for next year's 18th century social events. I even ordered a swatch of this fabric from renaissancefabrics.net. This Gainsborough portrait of Mary, Countess Howe (c.1760) is not exactly the right period for me, but I think I can use it as inspiration.I see this thing dripping in lace and positively ridiculous. Now, francaise or anglaise?
Tuesday, August 3, 2010
Uh oh....
I have started thinking along the lines of a silly frilly 18th century gown in pale pink for next year's 18th century social events. I even ordered a swatch of this fabric from renaissancefabrics.net. This Gainsborough portrait of Mary, Countess Howe (c.1760) is not exactly the right period for me, but I think I can use it as inspiration.I see this thing dripping in lace and positively ridiculous. Now, francaise or anglaise?
Friday, July 30, 2010
Preview: Tentacles!
In honor of an upcoming Halloween masque, I decided to make a hat/wig with lots of shiny green tentacles in different widths. I think I may pair it with a matching mermaid skirt/corset combo and the mask from the Pride dress last year.
Monday, July 19, 2010
Red and Gold Bustle Dress For Sale
Tuesday, June 29, 2010
17th Century Ensemble Update
June 29, 2010: After much hand sewing, we had a functional pair of front and back lacing stays suitable for the 17th and 18th centuries. Now with the major underpinnings finished, starting on fitting the jacket could begin. I started with a mock up cut from the Reconstructing History English Civil War pattern. A few minor tweaks later, I was ready to cut into the linen. The lady chose a vibrant mustard yellow for the jacket.
The stays are pretty straight up. I used cable ties for the bones, and strips of the same un-dyed linen for binding. With the straps, it gives a lot of support but does not really restrict movement. Now I just need to replace the somewhat less-than-period cord with some linen tape.


The stays are pretty straight up. I used cable ties for the bones, and strips of the same un-dyed linen for binding. With the straps, it gives a lot of support but does not really restrict movement. Now I just need to replace the somewhat less-than-period cord with some linen tape.


Wednesday, June 16, 2010
Stays Update
Binding: All of the tabs had to be done by hand. This was tedious, time consuming and hard on my hands, but I still have not figured out how to do it on a sewing machine. I don't really consider this a commentary on my lack of skill. It's more 'authentic' this way. Yeah. That's it.
Buttonholes: Since her audience will likely see her stays during the educational show, I figured metal grommets would be a bit too anachronistic, so I went with the next best compromise: small machine stitched buttonholes. Hand bound lacing holes would take too much time for the price to stay reasonable.
June 16, 2010: After hours of painful hand binding, we have arrived at our long anticipated conclusion (of this part). Now I am ready to fit the jacket over the stays and linen shift. The shift is made of a heaver linen than I might have liked, but it's for a range of characters, some of whom are less than upper class.I will be adapting the pattern from Reconstructing History for a 1630s look.
Wednesday, June 9, 2010
Linen Stays
What's light on one side, dark on the the other and holds the universe together? No, not the Force. Duct tape!I was hired by a friend to make a 17th century wardrobe for a one woman show on witchcraft. Figuring I needed to stat from the foundation up, I started on a pair of stays that could work for both the 17th and 18th centuries out of natural un-dyed linen. To make a patter, I wrapped her and an old tshirt in duct tape.
This allowed me to get a great approximate shape of her torso and the position and length of the straps without actual pattern drafting skills. After I had the general shape I wanted, I stuck pins in to mark the natural waist and other landmarks, and cut it off of her. I then used this duct tape exoskeleton (combined with a bit of reference from the Simplicity 18th century underpinnings pattern) to make the actual stays.
Visit arachneattire.com/ginny.html for all the pictures!
Thursday, April 29, 2010
The Trashiest Skirt Ever (tm)
Fabric: Furry leopard print from the remnants at JoAnn'sPattern: Draped by me
When I saw the remnant of the fuzzy leopard print stuff, I knew it was for Gianna - a Jersey Girl I play in oWBN Sabbat. I quickly cut it out in this lovely pencil skirt shape, but I was unsure of what to do with the closure. I hate zippers, and buttons weren't really an option. I settled on the trashiest thing I could think of: eyelets!
Take a look over at arachneattire.com/leopardskirt.html for more pictures.
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