A Wedding Comission

By a fortunate twist of fate, I was asked to design a wedding gown for a lovely lady in the frozen north. After exchanging a long series of web images, I think I finally have something that fits the description of what she wants: Victorian inspired, off the shoulder, wrap top, bouffant skirt. She wanted to not have to wear a corset, but still wanted to maintain the allusion to the period. Here's the first mock up modeled by another friend down in CT.


The image on the left more closely follows the pattern I took inspiration from with shirring on the sides and where the wrap crosses, but the image on the right I think I like better. It's less forgiving, but it has smooth lines and an elegant shape. The fabric she chose is a nice heavy weight silk.

The back for this mock up is the same as the one for the tentacle dress, but back lacing.

The skirt, I'm toying with Truly Victorian's natural form "Fantail" that I have used many times, and the 4 gore underskirt with poufs tied in.

7th Sea Coat

Adapted from the Simplicity Totally Not Jack Sparrow pattern, this coat is a blending of 17th century, 18th century and Napoleonic awesome for a privateer captain with an over-developed sense of justice. It's nowhere near historically accurate, but for a game that involves, pirates, napoleon, king arthur and baba yaga, I think I'll be OK blurring the lines a bit.

The waistcoat is an adaptation of JP Ryan's 18th century waistcoat. It has 18 tiny buttons, working pockets and fitted lines. It's made of heavy weight linen, and I have found after several plain white linen 18th century military waistcoats for reenacting, top stitching on all the edges goes a long way to reinforcing the structural integrity of such a flimsy fabric.

What to do with tentacles...

Remember all of those acetate taffeta tentacles stuffed with the contents of two bags of polyfill that I intended to wear on my head? About that... I made the hat. It was a simple semi-oval affair with a thick elastic band. I even attached the tentacles in different widths with the idea that it would look like grotesquely elegant sea creature 'hair'. Unfortunately, it weighed so much, I couldn't stand it. So, I abandoned the hat idea and went instead for a sort of apron affair that clips around the waist. It looks just as grotesquely elegant, but hurts a lot less.

The bodice is an altered version of Truly Victorian's off-the-shoulder 1870s early bustle ballgown bodice. I modified it so it was more natural form. I also shaped the back into two points to it would sort of resemble a fish tail and make a nice outline for the tentacles. The skirt is the straight up TV Fantail. I meant this project from the beginning to be a costume rather than a serious reproduction, so there are more than a few concessions.

For the bodice, I was thinking of a long row of tiny mother of pearl buttons. Possibly some glass pearl beading at the neck line, or maybe some orderless self trim with some dangly bits to further suggest "sea witch". I have yet to put in buttonholes or anything else, and the bodice is unattractively pinned to norma-jean (the dummy) whose dimensions are slightly different than my own corseted dimensions.


The tail is the top half of a tea drop shape inverted. The tentacles in various widths were sewn in between the layers and where the waistband attaches for a cascading effect. The base is reinforced with cotton twill and clips together using flat skirt hooks. This will be much more comfortable than wearing them on my head. Now I just need to figure out some kind of train hitch so the fantail doesn't get in the way while doing the waltz and tango.

Items For Sale

I'm in the process of cleaning out closets, making room and looking to recoup some damage on a few items. Take a look over at ebay at:

Gothic Marie Antoinette - $29

Indian Fire Victorian Bustle Ensemble - $99

Brown and Gold Painted Kimono - $30 or best offer

Own a nice piece of original art and help me feed my fabric addiction!